Demo — inputs & output
Prompt structure inspired by Inspired by fal.ai H3 Guide
Vintage Binocular Brand Film
Binocular viewfinder mask with sequential keyframes — Wes Anderson film grain and red type.
Who this is for
Brand films needing fixed lens-mask transitions.
How this prompt is built
Read this first — once you see the pattern, you can write your own without starting from zero.
- [References]
Sequential keyframe jobs 1–4.
- Mask constraint
Fixed binocular overlay — critical.
- Transitions
Whip/blur cuts between keyframes.
Adapt it for your project
- Swap MINIMAX install for your venue.
- Reduce to 2 keyframes for simpler tests.
Where people mess up
- Mask drift or warp.
- Typography fly-in effects against brief.
Your reference files (what to upload)
| File | Job in the video |
|---|---|
| Image 1 | Keyframe 1 — installation wide |
| Image 2 | Keyframe 2 — fabric & type |
| Image 3 | Keyframe 3 — passerby fashion |
| Image 4 | Keyframe 4 — portrait attitude |
Full prompt (copy & edit)
Use Images 1–4 as sequential keyframes, seen through a vintage binocular viewfinder searching for the MINIMAX installation. Open out of focus with subtle handheld shake, then push in quickly and rack focus onto Image 1. Between keyframes, use fast binocular-scan transitions with whip movement, motion blur, and brief exposure flicker. Cut at peak blur, then settle and snap back into focus. Keep the twin circular lens mask absolutely fixed throughout: identical position, scale, feathered black vignette, and edge softness. Visual language: voyeuristic, Wes Anderson-inspired 35 mm film look with fine grain, soft highlight halation, restrained color, and red typographic accents.
New to Ref2VA? Read the MiniMax H3 Ref2VA prompt guide
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