Demo — inputs & output
Prompt structure inspired by Inspired by fal.ai H3 Guide
Retro Anime Crime Title Sequence
Motion-graphics opening titles — collage beats, jazz-noir BGM, and hard-cut transitions without soft dissolves.
Who this is for
Motion designers building stylized title sequences or channel bumpers.
How this prompt is built
Read this first — once you see the pattern, you can write your own without starting from zero.
- [Core idea]
Genre mix ratio (60/40 suspense/jazz) and visual references.
- [Process]
Beat-by-beat collage assembly — masks, splits, credits on rhythm.
- BGM
Timed instrumentation map tied to cut points.
Adapt it for your project
- Swap credit names for your project.
- Adjust color blocks to brand palette.
Where people mess up
- Soft dissolves — specify hard cuts only.
- Garbled or duplicate credit text.
Your reference files (what to upload)
| File | Job in the video |
|---|---|
| Image 1 | Silhouette style reference |
| Image 2 | Color block palette |
| Image 3 | Typography sample |
| Image 4 | Prop close-up |
| Image 5 | Split-screen layout |
Full prompt (copy & edit)
Create a 15-second, 16:9 opening-title sequence for a stylish crime mystery. Draw from retro Japanese animation titles, hard-edged silhouettes, comic-book collage, asymmetric split screens, bold geometric color fields, English credit typography, sparse katakana accents, and a noir-jazz sensibility. Aim for 60% suspense and 40% jazz. Build the sequence as motion-graphics collage: linework appears over black, split-screen boundaries snap into place, then color blocks and frames assemble piece by piece. Character silhouettes, prop close-ups, and English credits slide, pop, and reveal through masks on the beat. Vary transitions: circular vinyl-record wipes, vertical car-door cuts, long character shadows wiping frame, red-line slices, oversized letter masks, split-screen reconfigurations, hard color-block cuts. No soft dissolves or fluid morphs. BGM: original 15-second title cue — low drone, tense string pizzicato, cool synth pulses, low kick, sparse brushwork, walking-bass fragments, short baritone-sax phrases. Low beat at 3s, bass movement at 6s, sax/brass riff at 10s. Freeze final 2s on a tense chord hit.
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